Newton Mobility Grants
Scheme 2016
British Academy &
Office of Higher Education
Commission, Thailand
Centre for Contemporary Social and
Cultural Studies, Faculty of Sociology
and Anthropology, Thammasat University
Media Ethnography Group,
Department of Media and Communications,
Goldsmiths, University of London
ICAS10 panel
Saturday 22 July 2017
Chair: Prasert Rangkla | Faculty of Sociology and Anthropology, Thammasat University
Discussant: May Adadol Ingawanij | Centre for Research and Education in Arts and Media (CREAM),
Westminster University
The Tenth International Convention of Asian Scholars (ICAS10)
Chiang Mai International Exhibition and Convention Centre, Chiang Mai, Thailand
Saturday 22 July 2017
9.15-11.00 hrs | Room 16
The Art of Speaking on the Line
Arthit Suriyawongkul
Foundation for Internet and Civic Culture
Legal risk, social pressure, and political climate may limit space for discussion but not the topics of discussion themselves. This article explores the ways Thai people consider safe enough to use for expressing their opinions on social media. Parody and sarcasm fan pages on political issues become popular on Thai Facebook since at least around 2012. Many of these fan pages are heavily graphic-based, which may highlight on what kinds of content that have more ability to spread on a social network site. Some of them like “Manee Mee Share” creates original drawing based on characters from standard primary text books in the 90s, while others like “Talamae Pop-Culture” rely on ‘image macro’ using same image for different messages.
I argue that ‘meme literacy’, which include sense of humor, language competency to pun things up, and ability to communicate with memes, allows sensitive issues to be discussed and shared further. Tools like ‘meme generator’ lower the barrier for one to participate in this graphic-based conversation. Observing what are intentionally omitted from these graphics and conversation also illuminates the real limits of freedom of expression in Thailand, and observing the conversation around what is omitted may allow us to see what people think about the unspeakable.
References
- Gauntlett, David. 2011. Making is Connecting: The Social Meaning of Creativity, from DIY and Knitting to Youtube and Web 2.0. Cambridge: Polity Press.
- Shifman, Limor. 2013. Memes in Digital Culture. Cambridge, MA: MIT Press.